2/8/2010
Monday morning

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There must be something unique about a band that can maintain a considerable following nearly 15 years after their demise, and without any hit records to their credit. Such a band is San Franciscos Chocolate Watch Band. Their 1966-1967 singles for the Uptown label exchange hands for anywhere from ten to fifteen dollars on the record collectors market, while their three long-deleted albums on the Tower label command prices as high as $100 in mint condition.
I made a watch band six months ago for a watch whose band had died, following directions from the above book. Ive worn it daily since, and its been fine.
Much of the Chocolate Watch Bands aesthetic success can be attributed to their producer, Ed Cobb. Having served as bass singer with the vastly underrated Four Preps from 1956 to 1965, Cobb fashioned a highly successful career for himself in the mid-1960s as a songwriter/producer/mentor for such garage bands as the Standells, the E-Types and Stark and the Car Thieves. Cobbs experimental instincts (combined with a penchant for the aesthetics of rock and rolls glorious founding days) inspired him to constantly be on the lookout for promising up-and-coming talent whose musical persuasions were not necessarily in step with the norm.
One problem is that my watch face is heavier than the beads, so its always on the other side of my arm, forcing me to use both hands or ungraceful contortionist exercises of the arm and neck in order to see what time it is. Im considering adding some kind of weight to my next band, presently in progress. Or maybe putting two watch faces on it--that way at least one watch face should always be visible!!!
The Chocolate Watch Band--one of my favorite sixties psych-garage bands--hailed from San Jose/San Francisco in the mid-1960s. Following is a complete transcript of the liner notes from A.V.I./Rhino Records 1983 Best of compilation, which I believe is still available. Alternately, their complete three sixties (with lots of bonus tracks) are available on CD from Sundazed records. Those LPs are 1. No Way Out (1967); 2. The Inner Mystique (1967); and 3. One Step Beyond (1968). Although subsequent stuff Ive read contradicts some of the things in Mike McDowells band bio below (especially Ed Cobbs raves about the third album--One Step Beyond--which didnt feature vocalist Dave Aguilar, and which, IMHO, is by far the weakest of the three), the following is nevertheless a pretty good who/what/where piece about a band that definitely deserves to be remembered.
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